Ricky:What do you think about Dali? Melting clocks and stuff?
Karl:I mean, the first one was all right, when he did the first clock, but then, all the time. He's just like, 'Oh, I'll draw something and it's got a melting clock on it. I'll do a sheep, put one of them on it.'
Ricky:Have you seen his lobster telephone?
Karl:That annoys me.
Ricky:Why?
Karl:Because it's just... it's not... I mean, I think what annoyed me more with that is when I heard about how it happened. He had some artist mate round, right? And, I don't know what happened-
Ricky:Oh, okay. That's a hell of an anecdote.
Karl:No, no, but they were eating some food and what have you.
Stephen:Lobsters?
Karl:And uh, yeah, they were eating lobster, and uh, I don't know, the other artist, whoever it was, starting saying 'Oh, you and your clocks' and all that, right?
Ricky:Brilliant. This didn't happen.
Karl:They started arguing and he chucked some of the lobster-
Ricky:Bollocks.
Karl:And it bounced off his mate's head, went on the phone, and they both looked at each other, like 'Are you thinking what I'm thinking?' and they brought out that phone as a bit of art. Things like that annoy me. Because it was them just messing about.
Ricky:No, it didn't happen.
Karl:Just telling you what I know. I saw his work. Each to his own, if that's what he's doing. I'm just saying I'm not putting my stamp of approval on it.
